“我们做事情、干工作，如果做到了上有利于国家、下有利于人民；既符合国家和人民眼前利益的要求，又符合国家和人民长远利益的要求；既能促进经济社会发展，又能促进国家富强和人民幸福，那就做出了党和人民所需要的真正的政绩。”
There’s often an undercurrent of existential fatigue in games that look back at their legacy. Dark Souls III’s dying kingdom, Metal Gear Solid 4’s decrepit Snake. So when Capcom showed us an ageing Leon Kennedy entering the ruins of the police station that marked the start of his journey from rookie cop to hardened veteran, it felt tinged with ennui as much as nostalgia. That self-reflective swansong for this 30-year series may still happen one day, but Requiem isn’t it. Even at its dourest and most pensive, this is less a song for the dead, more a knees-up in honour of the rocket launchers and typewriters that came before. Leon may be getting on a bit, but this is Capcom as energised, devious and goofy as ever.
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